Go or Don't Go to a Workshop

Everyday, individuals attend a workshop, conference, or webinar to learn more about an area of interest.  Each of those individuals had to make a decision to attend or not.  That decision can be determined very easily at times; my boss made me.  If attending one of these events is not an essential requirement, how can one divvy out the costs and benefits of these things anyway?  While these coming questions may appear very "duh worthy," try it out, you might surprise yourself. 

1. Does the topic pertain to you?  If you are a musician and the workshop is over photographing your work, you probably don’t need to go. Ask yourself: How will this affect me? In what light? Usually at such events, one is exposed to new perspectives and ideas that further their knowledge of a particular topic. 

2. Is the topic discussed at your level?  If you have never worked a camera, a workshop over advance photo manipulation is probably not for you.  If the workshop description does not explain the expected knowledge, call the hosting organization and find out.  You don’t want to be lost the entire time.  Remember, a refresher course in something you already have learned but maybe don’t use on a regular basis doesn’t hurt.

3. Is it cost effective?  With most people keeping a tighter hold on their wallets, you really have to take a close look if the cost is within your budget.  Are there added expenses beyond the workshop fee like hotels and food?  Remember, your time is also valuable.  Consider your time when deciding its cost effectiveness.

4. Is the presenter any good?  Often times the workshop description has a short bio about the presenter.  Look them up on LinkedIn or other websites.  See if there are any reviews or recommendations about the presenter.  Ask around… word of mouth is still a wonderful resource.  No matter how interesting the subject, a monotone speaker will not hold your attention.

5. Where is the workshop located?  With the gas prices all over the place distance is something to consider.  There are many organizations who offer workshops throughout a region.  Check with your host organization to see if they will be offer the workshop in another county.  Something may already be in the planning process, just not finalized and announced.

I hope these questions gave you some direction. Remember though, the golden rule for this; What is your passion? If anything, you learn. At best, you grow. Sometimes one must just go for it. On that note I'll leave you with this, Progress always involves risks.  You can't steal second base and keep your foot on first.  -Fredrick Wilcox

Share with us what workshops are you interested in?

Juriors, will they like it?

Most artists have been through a jurying process if they have applied for an exhibition or fair.  Sometimes it is a panel of jurors; while other times it is just one person.  With everyone having their own opinion and interpretation of your work, how are you to know if they are going to like your work?  It's simple, you don't.  But, you can make sure your work follows some basic criteria so that you are putting your best foot forward.

1. Professionalism:

• Make sure you complete and turn in all the requested materials on time.  The fastest way to not be selected is to not submit a required document or to be late.
• Did you follow the directions?  Make sure the application is completely and appropriately filled out.
• DO NOT hand write the information.  Every library has a computer lab you can use to download and fill out the application.

2.  Originality:

• Make sure all your work is original in concept and/or presentation.  You don't want someone copying your work, so don't copy theirs.

3.  Artistic ability:

• Make sure your images show your technique and ability.  There are many great self-trained artists; however you can always learn something new and improve.  Taking classes will only strengthen your abilities.
• If you are proposing a specific technique, make sure your images show you have the ability to execute the technique.  If the juror is not sure you can do it, they may not select you.

4. Appropriateness:

• Know who your audience is.  Is your work appropriate for them?
• Know who the venue's audience is.  Did they specify any subject matter not allowed?

 5. Images:

• Remember, the juror is usually only looking at an image of your work.  Does the image really show your ability?  Is it clear or fuzzy?  Is the background distracting or enhancing?
• Are your images formatted and submitted in the requested manner? 
• Workshops and classes are offered all the time to help artists learn to take the best image possible of their work.  If you are by a college, contact them to see if there are any photography students looking for experience.  Take advantage of your resources.

You may not be able to guarantee the juror personally likes your work and wants one for their wall, you can give them your best work in the best presentation.